Today & Tomorrow
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Philip Wik




 

 I had more of a knack as a journalist than as an academic writer, and that’s where my stylistic bias lies.  Professor Paul (“fresh, fair, phrased well”) Fromer, who also advised the student paper in college, beat us over the head with Strunk and White’s The Elements of Style.   I can think of no better book than to develop a style of writing.  Paul would go through our copy and annotate from the Strunk and White book in red ink an element that we had violated—S-8 (“Avoid the use of qualifiers”) or S-14 (“Avoid fancy words”), for example.  I was a reporter on the college paper on the day that President Gerald Ford came to campus in 1976.  “Ford arrived at chapel time,” Vern Becker, the editor, recalled.  “We had a slew of reporters and photographers on hand, and all the major networks were on the sport as well.  In fact, the night before, all the TV stations had come in and constructed a raised photo platform in the middle of Edman Chapel.  One of the photographers snuck in that night, and when he saw all the spaces marked off for CBS, NBC, and ABC, he marked off a space, Record.  He did it as a joke, but sure enough, that spot was empty!  A couple of our photographers did take advantage of it.”

In 1989, college administrators relieved Paul from his duties as advisor due to “the issue of censorship, specifically, and the suppression of truth in general.”   The Record quoted Dr. Henry Nelson, chairman of the College Committee on Student Publications:  “I think Fromer pursued a journalistic style that, generally speaking, doesn’t take into consideration some non-objective features like compassion and concern for others.”    When I was at Wheaton, I once did an expose on a county official who had a son on the campus, and asked Paul if I should print the story.   He left the decision to me, and we did publish it.   Reporters often allow their story to trump feelings.  But, as a principle, I believe the truth must prevail over personal discomfort or organizational resistance.       

I admired Henry Luce, the founder of TIME.   Luce and I had a few things in common.  We were both sons of missionaries to China, we both went to Chefoo, and we both edited the college paper, although, of course, as a visionary, businessman, and a writer he was light-years ahead of me.  I admired his Bull Moose Republicanism and his ability to attract writers with talent.  And I admired the economical, vivid, and sometimes poetic TIME idiom, and would try to mimic its essayists.

I think anyone can pick up the nuts and bolts of writing without much effort.  But I don’t think the art of writing can really be taught.  Just as some people have a knack for shooting baskets, I seem to have a knack for writing.  When I was writing my two books, I was able to crank out ten pages each night.   Discipline more than talent is needed to succeed at writing or anything for that matter.   I think or that writers need is a cat-like curiosity about everything.  I’m especially interested in why people believe what they believe and what forces shaped critical life decisions, such as immigration and marriage.  I like to watch people, and, as time permits, sketch them.   As I’ve aged, my hobbies have gotten simpler and less expensive—from sailing, stocks, and stamps to drawing, reading, talking, and thinking.   



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